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Compiled to accompany the best-selling textbook, Folk Groups and Folklore Genres: An Introduction, the selections in this anthology extend the discussion in diverse directions, alert the reader to new problems, and introduce alternative perspectives. The essays include folklore classics and recent works, and are organized in sections that correspond to the chapter headings in An Introduction.
Folklore --- -Folk beliefs --- Folk-lore --- Traditions --- Ethnology --- Manners and customs --- Material culture --- Mythology --- Oral tradition --- Storytelling --- United States --- Social life and customs. --- Folk beliefs --- Folk-lore, American --- Folklore. --- Etats-Unis --- Moeurs et coutumes --- Social life and customs
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Oring's introductory folklore text consists of a series of essays by leading scholars that give the student a solid sense of major folklore topics and interpretive techniques. Since 1986, when it was first published, this book has met the need for good instructional material at a time of tremendous growth in folklore programs and introductory courses in colleges and universities around the world.
Folklore --- Folk-lore, American --- Folk beliefs --- Folk-lore --- Traditions --- Ethnology --- Manners and customs --- Material culture --- Mythology --- Oral tradition --- Storytelling --- Folklore.
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Elliott Oring asks essential questions concerning humorous expression in contemporary society, examining how humour works, why it is employed, and what its messages might be. This provocative book is filled with examples of jokes and riddles that reveal humour to be a meaningful - even significant - form of expression. Oring provides alternate ways of thinking about humorous expressions by examining their contexts - not just their contents. "Engaging Humor" demonstrates that when analyzed contextually and comparatively, humorous expressions emerge as communications that are startling, intriguing, and profound.
Comic, The. --- Wit and humor --- Ludicrous, The --- Ridiculous, The --- Comedy --- History and criticism. --- Comic, The --- History and criticism --- Sociology of literature --- Wit and humor - History and criticism
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Israeli wit and humor --- Hebrew wit and humor --- Jewish wit and humor --- History and criticism. --- Palmaḥ --- Palmach --- Peluggot maḥaẓ --- Pelugot maḥats --- Israel. --- פלמ״ח --- Humor. --- Palma
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Cognitive styles --- Jewish wit and humor --- Wit and humor --- Wit and humor --- History and criticism --- History and criticism --- Psychological aspects --- Freud, Sigmund
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By defining folklore as artistic communication in small groups, Dan Ben-Amos led the discipline of Folklore in new directions. In Folklore Concepts, Henry Glassie and Elliott Oring have curated a selection of Ben-Amos's groundbreaking essays that explore folklore as a category in cultural communication and as a subject of scholarly research. Ben-Amos's work is well-known for sparking lively debate that often centers on why his definition intrinsically acknowledges tradition rather than expresses its connection forthright. Without tradition among people, there would be no art or communication, and tradition cannot accomplish anything on its own--only people can. Ben-Amos's focus on creative communication in communities is woven into the themes of the theoretical essays in this volume, through which he advocates for a better future for folklore scholarship. Folklore Concepts traces Ben-Amos's consistent efforts over the span of his career to review and critique the definitions, concepts, and practices of Folklore in order to build the field's intellectual history. In examining this history, Folklore Concepts answers foundational questions about what folklorists are doing, how they are doing it, and why.
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